I am a Sound Designer and Audio Production graduate specialising in immersive audio, Dolby Atmos mixing and interactive sound design.
My work combines cinematic storytelling, sound design, field recording and spatial audio technologies to create engaging and emotionally driven sonic experiences. Through projects ranging from Dolby Atmos sound redesigns for film and animation to interactive audio implementation using FMOD, I explore the relationship between sound, space and perception. My practice includes sound design, audio post-production, Foley, field recording, immersive soundscape composition and adaptive game audio systems. I work primarily with Pro Tools, Dolby Atmos Renderer, FMOD and iZotope RX, developing audio experiences that bridge narrative, technology and computers.